pro tip: don't be an amateur

Last week I noticed that I still wasn't listed yet as a guest at Midwest Comic Book Association's SpringCon 2013, a convention I've attended more "on" than "off" for years. I am really excited to table at this year's con, since I'll finally have a "real" comix project to promote. (I unfortunately received my comp copies the Monday after the con last year.) So I sent the organizers an email asking about the omission. They got back to me promptly... I messed up.

The invite card I received a couple of months ago had a line of small print: "Please RSVP by no later than April 1st - 2013 (otherwise we'll assume you can't make it)." In the excitement, I had jumped to conclusions and completely overlooked it. Like I said -- I messed up. In my rush to judgment I acted like an amateur. Pro tip: Always read the small print.

The organizers are cool cats, so I'm now on a waiting list in case some other guest is unable to make the show. We'll see.



But I'll be at SpringCon this coming weekend nonetheless. It's a super fun show, and it'll be a nice opportunity to reconnect with fellow comix makers that I've met over the years and network for future projects. My buddy Chris -- who recently moved back to the area from Nevada -- will be joining me, so that will be special. The guest list of not-amateurs is impressive. Looking forward to it.

And, hey, maybe I'll still be able to be one of the "carnival" few.

springcon 2011

Midwest Comic Book Association knows how to celebrate. This past Saturday and Sunday, MCBA and volunteers played generous hosts to a gamut of comix fans, creators and vendors alike at the 24th annual SpringCon in Saint Paul, Minnesota. Despite severe weather, fun appeared to be had by all. I know I had a great time.

As a guest creator, I premiered -- and sold out of (!) -- my ROBOT MARX book. (Always in-stock and available for purchase online, BTW.) It was a real pleasure to chat with fellow fans and other interested individuals about ROBOTECH, sociological theories, and the publishing process. It was also a real pleasure to visit with my tablemates, Jennifer "Inkbunny Diaries" Young and her husband Jason "Straight Line Stitch" White. We talked about life, religion and family between lulls, and managed the table for one another when the other was away. (Jenny's books are available here; learn about Jason's band here.)



In addition to connecting with Jenny and Jason, it was a treat to reconnect with a few other old friends too. Friend-of-a-friend and fellow Central Wisconsin native, Robb Wadzinski was my first customer; the last time we saw each other was at Wizard World Chicago 2008... now he's married. Old-school ROBOTECH fan and someone I indirectly dedicated ROBOT MARX to ("AX Robotech Fans, Class of 2006"), Chad "Marshall" VanVorst was busy masquerading as Darth Vader with con attraction Star Wars' 501st Legion - Central Garrison, but managed to swing by my table -- in and out of costume -- to chat regularly; we geeked out about our favorite cult cartoon (naturally) and made plans to meet up for a drink at the next MCBA show. And what would a MCBA show be without good ol' Michael "MetroMed" Hutchison? I met "The Hutch" at WWC08, found out he used to live in my hometown (Wausau, WI) in the '90s, and hosted him as a guest-of-honor in 2009 at the comix/sci-fi convention I used to organize. Mike's one of the nicest guys in the industry with a sincere, endearing love for the superhero genre and superhero comix; even though we're polar opposites in many ways, visiting with him is always a joy. (His book is available to preview and buy here.)

As a fan, I had three objectives: Buy Ryan Kelly's FUNRAMA #2 preview-zine. Meet Noah Van Sciver and buy an issue of BLAMMO. And meet Trina Robbins and ask her to autograph my ROBOTECH: ART 2 hardcover.



Between freelance work and parenting, Ryan Kelly has been slowly-but-surely rolling out his creator-owned FUNRAMA PRESENTS comix series. It's always inspiring to see creators dedicated to their own ideas, so I was quick to purchase Issue One ("The Mutant Punks") last year. Issue Two ("Raccoon") is still in-progress, but Kelly did prepare an eight-page "MN SpringCon Preview" zine for the show. I thoroughly enjoyed the peek, and look forward to reading the full issue whenever it becomes available.



I recently became intrigued with Noah Van Sciver and his work following a series of podcast interviews. Between his public front (self-deprecating), his comix ideology ('80s/'90s indie) and his stories (Juggalo love; Joseph Smith bio; kooky chickens), I knew I had to meet him. It took me forever to find his table, but when I finally did... well, Noah is awesome. We shared our run-ins with and admiration for Harvey Pekar; we compared experiences growing up in religious-minority low-income families; and Noah showed me stunning original art pages from his in-progress "Young Abraham Lincoln" masterwork, THE HYPO. I ended up walking away with signed copies of BLAMMO Number Six and Seven, and I promptly poured myself into them. BLAMMO is now my favorite floppy. If you're a comix enthusiast and haven't already, do yourself a favor and buy them. Van Sciver is a talent to watch.



And then there was Trina Robbins. It was a genuine honor to meet and talk with one of comix foremost historians, creators and trailblazers. And contemporary paper-doll creators. In 1987, Robbins contributed four paper-doll compositions to ROBOTECH: ART 2. In 1987, my father bought said book for me as a gift; I've regularly perused its contents ever since. Trina was kind enough to autograph all four selections and her bio/photo in the back. (She was also thrilled to hear my story about how I made my dad photocopy her ART 2 paper-doll pages so I could cut out and play with them as an 11 year-old boy... ROBOTECH is wonderfully subversive that way.) Meeting Robbins provided me a meaningful way to connect both my guest and fan SpringCon 2011 experiences.

As mentioned at the outset, SpringCon's organizers are generous -- hearty grab bags and fun attractions for attendees, free tables and full catering for creators, and affordable space and an open mind for a variety of dealers. Without a doubt, MCBA went out of their way to make it a "Comic Book Celebration." I'm already anticipating their FallCon in October...

robot marx, the book

Robot Marx - Robotech®, Patriarchy, and Kids' Culture: A Conflict Theory Perspective is now available as a book. I'll be premiering it this weekend at Saint Paul, Minnesota's SpringCon.

Robot Marx -- "The Collected Essays from AmericanNarada.blogspot.com" -- is a 5-inches wide x 7.5-inches tall, square-bound, full-color, 38-page paperback. Sold at-cost, this "Not-for-profit Academic Scholarship intended for Education" publication is available for $5.00 U.S. From the back cover:

When ROBOTECH -- the classic 85-episode "sci-fi soap opera" cartoon that introduced a generation of American kids to Japanese animation -- premiered in 1985, it stood out from its contemporaries. Unlike iconically similar G.I. JOE and TRANSFORMERS, ROBOTECH's characters lived and died, met and fell in love, and expressed real emotions and evolved as individuals. The program spawned toys, comix, role-playing games, novels, and other pop-cultural artifacts. From the Conflict-Marxist assumption that America is a patriarchal society, ROBOTECH is a fascinating case study: it featured women heroes in leadership positions, a cross-dressing male hero, and an essentially anti-war message, among other subversive elements. ROBOT MARX critiques ROBOTECH, its marketing, and its fandom from this perspective, in the process discussing concepts such as gender representation, diva citizenship, and archetypes. An enjoyable academic expression of fandom.

The book was born from a number of influences. First, last month's "remastered" ROBOT MARX project* re-sparked my latent ROBOTECH fandom. From 2001 to 2004, I edited and published the "official" unofficial ROBOTECH fanzine, Emissaries; Robot Marx was an excuse to indulge in that fandom while being able to provide something new for my fellow fans again. Second, I was inspired after reading Stephen Bissette's Teen Angels & New Mutants to do something similar; I wanted to do for ROBOTECH what he did for Rick Veitch's BRAT PACK. In an admittedly limited way, Robot Marx fit the bill. And third, pulling the book together allowed me to flex my publishing muscles (I have an Associate's degree in Printing & Publishing) in preparation for the forthcoming American Narada: India 1 reflections and comix collection. Using nothing but freeware, Robot Marx was a fun DIY exercise.



Midwest Comic Book Association's SpringCon "Comic Book Celebration" is held at the Minnesota State Fairgrounds' Grandstand from 10 AM to 5 PM on both Saturday and Sunday (May 21 & 22); with a canned-food donation, admission is only $10 for the weekend. I'll be tabling alongside friend and uber talented tattoo-artist/cartoonist/designer, Jennifer "Inkbunny Diaries" Young. If you're in the region, I encourage you to attend. MCBA puts on a great show. I'd love to meet AMERICAN NARADA's readers and my fellow ROBOTECH and comix fans, so, please -- if you do attend -- stop by my table and say "Hi!"

Robot Marx will be available for purchase there. The book is also available online via IndyPlanet.

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* ROBOTECH ® and all associated concepts, names, designs, and images are trademark and copyright Harmony Gold USA, Inc. 1985-2011. Application of such for the ROBOT MARX project by Evan Harrison Cass is based on the U.S. Copyright principle of Fair Use for not-for-profit "criticism, comment, news reporting, teaching, scholarship, and research." No infringement of Harmony Gold USA, Inc.'s or associated companies' and individuals' rights is intended.